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Freedom City Guidebook
Freedom City PBP: A How-To Guide
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Everything posted by Avenger Assembled
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Ref vs 20 http://orokos.com/roll/736895 24! Tou vs DC 20 http://orokos.com/roll/736894 = 23 OK, i'm going to stunt an Auditory ESP with sufficient levels of Rapid to figure out where the hostages are this round. Next round, I'll have Aquaria open a portal to where they are so we can rescue them. I sure hope the big strong men in the thread will guard Aquaria's back from falling debris! ??
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Okay, well, Lady Horus is going to go for the books - We're going to call this a Light Control 14 (Flaw: Range [Touch]) effect (yes I'll eat the fatigue from the stunt) to counter the effect of whatever the ink is doing ; what DC should I be trying to crack here?
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Sorry for the delay! Give me Notice checks, and initiative, @Supercape
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Between the armored Deep One and the shark-man, one would think there were enough abominations on the bridge - but there was something else. The being that walked out from behind the front of the train looked like someone had tried to sculpt a man with only an indifferent knowledge of humanity. His chest and arms were swollen to almost grotesque proportions, exaggerating a muscular frame to the point of caricature. He wore only a kilt in a green and yellow pattern that looked distinctly off, and carried an impressive-looking set of bagpipes in his arms. At the sight of Sgt. Shark, the Scot set his feet and said, "Aye, and look at me! Ye didna expect ye'd meet the One True Scotsman, did ye noo?" He blew experimentally on his bagpipes, producing a vigorously offensive sound, "I'm here to knock down that German lass in the Palace and free ma people from her bondage! How lang wull ye persevere wi’ this, Ah’m wonderin’?
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"Yeah, our kids' education is what brought us back here too," said Richard with an easy shrug. "If your daughter's come here for school, she's come to the right spot." "Are you a full-on shapeshifter?" asked Holly of Grim, now that the conversation had moved on from boring stuff like who was going to get a job where. "Like a Grue?" She didn't sound frightened the way most kids her age in Freedom would be at the prospect, but she didn't seem much like most kids in Freedom. "I always thought they were pretty cool."
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"If you ever make it out to the West Coast," Richard offered, "I know some people out there who could help. Our production company hires a lot of people with a record." He smiled thinly. "We'd be pretty hypocritical if we didn't." "My dad didn't even go to high school and we have two houses," offered Holly cheerfully. "You'd be surprised what you can do with superpowers." Richard frowned a little at his daughter, then said, "There are people who hire people with powers," he went on, "the mercenary groups and such, but I know traveling outside of the country is hard when you have family. Paige and I thought about doing that when we were younger, but we wanted to get somewhere outside of the action."
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Holly studied the bowl intently, her brow furrowing, then snapped her fingers. "Oh! You really are magic." She took a few bites of the ice cream, smiling. She kept eating, talking around her bites of "It's good! My dad does magic sometimes, but not like this, it's all explosions and star powers and stuff." She gestured with her spoon. "Yeah, well, when you've been in the business long enough, you pick a few things up," said Richard with a wave. "As for being a super-parent, it's...it's a hard life. My ma did it solo and that was hard for her," he went on, talking to Serena. "I couldn't have done it without my wife." "Yeah, that's how it works, Dad!" said Holly cheerfully.
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Richard had been planning to leave -- whatever heavy business was going on here, it wasn't anything Holly needed to be involved in. But when Lynn gestured for them all to join them, and Holly shot him a pleading look, the two of them headed inside. He worried sometimes that too much weird stuff growing up had left Holly with a tendency to view everyone's problems as just exciting superhero drama for her amusement; but on the other hand, there was nothing like telepathy to teach you empathy. Holly followed her dad inside, sitting down while Richard stood, and did indeed help herself to a handful of candy. "Hey, this is the same kind of candy Nana Cline keeps at her house," she offered as she unwrapped one of the little gold foil packets. "Yeah, well, Ma's a real sugar hound," said Richard. "She's gonna give herself diabetes if she keeps it up."
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Please designate your PFs, Extras, Flaws, on your powers. So you're assuming the character's first couple of threads are going to be liberating himself from his spectral bondage? Try and match the formatting of sample builds like this - https://www.freedomplaybypost.com/start/sample-characters/sample-character-4-battlesuit-r18/
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Did this get fixed, @blackstarraven? Please advise.
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Moving this to Character Building so you can work on it there, @blackstarraven
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"Yeah, I hear that," commented Richard as he paid with some slightly rumpled fives - enough for a tip. "We've got three now; Will's in college, and Holly's just going to high school, and, uh, Bryant who's three. Kids learn this stuff from their parent." Holly looked at her father and Richard gave her a look. "Honey, not now," before going on. "I haven't heard about you in Freedom much, but we spend a lot of time out in LA still for the show. My wife's actually out there this week doing some second-unit filming." "How old's your daughter?" asked Holly of Serena. "Is she your only kid?"
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Holly watched the exchange with a polite smile on her face, but her eyes were dancing as she watched the interplay between her father and the other two heroes. "Richard, huh?" said Richard with a smile at Lynn. "Well I guess it beats what people used to call me around here. Here," he offered to Serena, "lemme buy you that coffee." His wallet was out, and so was money, before he'd finished speaking. "I haven't heard about you in a long time. You ever get a chance to work out?" he asked Serena, leaning on the glass case next to which he stood. "There's plenty of places for that around Freedom."
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Yes, though Comrade Frost can only be underwater for the rest of this round, otherwise he'll freeze it solid around him!
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Hey @RocketLord, is there something to this fight we're missing as players?
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Frost activates this AP: AP: Flight 4 (100 MPH/1000FPM, PFs: Move-By Action, Subtle) {10} + Insubstantial 2 (icy fog) {10} {10+10=20/20] and flies up to chase the Hornet! He'll fly up into melee range and do this: AP: Damage 12 (thermovorous touch 2.0; Extra: Alternate Save [Fortitude]) {24/24} http://orokos.com/roll/735668 = 26! Okay, that's a DC 27 Fortitude save vs. Damage, if that hits - and I think it does!
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What's the next move here, @RocketLord? I think we may be ready for the next part of the plot.
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Holly was well-trained enough to look to her dad for approval - and though the look on his face wasn't technically permission, she rose to her feet anyway to walk over to Serena and Lynn. Holly still had the gawkiness of a girl in her early teens, but confidence in her eyes as she looked Serena over. Her dad joined her, perhaps a bit more quickly than was natural, about the time Serena leaned up on top of the counter and said, "Hi there. I'm Holly Cline." She shook Serena's hand, then Lynn's. "I guess you know my dad!" she told the others cheerfully. "Yeah, we're all one big happy family here in Freedom," said Richard as he stepped up to join the group, taking off his sunglasses and sliding them into his jacket pocket. "Richard Cline," he said, introducing himself to Serena first. "I'm sorry if we embarrassed you just now - we don't get to see a lot of people from the trade."
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Don't list the feats from your suit under your regular feats - that makes the math confusing. Looks like math needs adjusted on your skills. Formatting wise should look like this. https://www.freedomplaybypost.com/start/sample-characters/sample-character-4-battlesuit-r18/
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Judy stared at Leroy, her eyes wide - it didn't seem like she'd heard most of what he'd said. It wasn't the first time he'd gotten that impression from his girlfriend. "They...killed your brothers? Who killed your brothers?"
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Sing a song of Mother Hydra. (Hydra is worshiped in various names in various places across the galaxy and the multiverse - it is entirely likely you might find Her cults among Lor refugees, turning to the power of great and terrible Change to try and restore all they have lost) Hesiod, Theogony [corrected] "And in a hollow cave she bore another monster, irresistible, in no wise like either to mortal men or to the undying gods, even the goddess fierce [Hydra] who is half a nymph with glancing eyes and fair cheeks, and half again a huge snake, great and awful, with speckled skin, eating raw flesh beneath the secret parts of the holy earth. And there she has a cave deep down under a hollow rock far from the deathless gods and mortal men. There, then, did the gods appoint her a glorious house to dwell in: and she keeps guard in Arima beneath the earth, grim [Hydra], [305] a nymph who dies not nor grows old all her days." Mother Hydra, the mother of all monsters, isn't hostile to humanity. In a sense. Is the ocean hostile? Is a hungry shark? Is a tsunami? Is eminent domain hostile to landholding? She is Progress - not hate. And She is old - much older than her consort Father Dagon, ancient even when the Serpent-Men of Lemuria and their Deep One spawn ululated Her name and gyrated unwholesomely beneath the blood-red Moon. She Was, She Is, She Will Be. When Creation happened, fragments of other Things from the chaos Before survived - some have names most Unspeakable, others have names given to them by other beings in the uncountable eons that followed, all are in some ways aspects of that unspeakably primordial Chaos. If the Unspeakable One is chaos in its ultimate, destructive aspect, Mother Hydra is simply the power of chaos to change - of waves to reshape mountains into beaches, of a fire to burn away a dead forest to let a new one grow, of a plague to sweep away a civilization and let a new people thrive in its place. HAIL HYDRA! ETERNAL HYDRA! CUT OFF ONE HEAD AND TWO MORE WRITHE TO TAKE ITS PLACE! It's hard to summon Hydra - that's why Dagon is usually the one that shows up when the cultists have made the sacrifices and performed the unholy rituals. When She does deign to show herself, it's usually during a great crisis - as when Her champion the Deep One Aquaria Innsmouth summoned Her during the recent invasion of the Terminus. Hydra's summonings in this plane generally take the forms of wet, slithering limbs reaching out from the darkness to grab and crush - or to drag away to the dark places where beaked mouths await to feast. You can cut off those limbs, you can patch the weakened patches in the universe that let her come through, but you can't strike at the Mother herself. Halogen: You know where She lives, and no one's ever tried to take Her out? Eldrich: People have tried. One becomes the Mother of All Monsters by mothering - by spawning and by making more. If Hydra is chaos she is also fecundity, the power to grow and grow, to spread and change, in all its infinite and terrible glory. (If Her scion Apep were to eat the Sun She would neither be angry or pleased - what She cares about is whether or not he's making lots of little snakes. After all, Heqet is Her scion too.) It is this more than anything else that makes her an antagonist of the Unspeakable One (and what made Her answer a summons when the world was threatened) - how can there be growth, how can there be change, if all is destroyed? "The old has passed away; behold, the new has come." When the stars are right and Dagon and Hydra rise, the Earth will be filled with the glory of Their coming and the waters of the ocean will cover the land. The first will be last and the last will be first, and the old order and all it represents will be swept away in the great day of Jubilee. (Hydra is one of the major reasons why there is a Pact - and specifically why many of the deities attuned to humanity signed off on it.) The testimony of Zadok Allen [corrected] "Mother Hydra an'Father Dagon what we all come from onct” There is some confusion about traditional images of the Dark Mother and Dark Father. What some have seen as a picture of a singular entity is actually two - Dagon is the "scaly, rubbery-looking body [with] prodigious claws on hind and fore feet," of the tales, but it is Hydra who is the "octopus-like head with a mass of feelers, [with] long, narrow wings behind." The traditional statues show they sit on Their throne together. As They might. When the stars are right.
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Richard glanced over at the woman across the way and blinked. It took him a few minutes to figure out exactly what, or rather, who he was looking at - but it helped that time had been kind to the former teen villain. Geez. Guess she got the good super-genes too. That was...Christ, I have no idea. It had been a long time since 1993, and he lacked his wife's encyclopedic memory for faces. "She''s Revolt," whispered Holly, still looking smug. "Don't you ever go on Wikipedia?" Richard shot his daughter a look and whispered, "Young lady we will talk about that at home," tapping the side of his head. "And you know the rules. We give people privacy if they want privacy."
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Over in the corner, a tanned guy of what looked like early middle age was drinking coffee while his tween-age daughter played with her phone. In new jeans and a denim shirt with the name RICHARD over his breast pocket, Richard frowned paternally at Holly and said out loud, "Honey, do you actually need to text anything to those people?" She looked up at him and gave him what looked like an eloquent glare., then went back to her texting. With a loud sigh, he peered at his daughter over his big mirrorshades. "Very eloquent, honeylamb." She glared at him again, he gave her a challenging look, and with a great and elaborate sigh she set her phone down. "You're so old, Dad." She wasn't too old to take a drink of the whipped cream topped hot chocolate sitting by her elbow, though, which made Richard smile. Holly really was blossoming into a beautiful young woman, with blonde hair that reminded him of his own mother and big dark eyes that came right from Paige. "It's not polite to talk to people without asking-" "Hey, Richard Cline!" A young guy, god, how young? Twenty, maybe? had walked up to Richard and Holly with a big smile on his face. "Can I take a selfie with you?" he asked, holding up his phone. Richard frowned - but then the guy looked at him and said, "...oh, sorry, must have mistaken you for somebody else. My bad, man." The guy clapped Richard on the arm, walked away, and Holly sipped her drink, looking very pleased with herself.
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