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One of the perks of having a show on the Discovery Channel was a generally cordial working relationship with public broadcasting systems all around the world. It was especially nice in cases like this, where instead of doing interviews on the street or in a rented conference room, they were able to line up a cozy little interview space at the FCTV studios right downtown. The SuperCrime crew had piled all their outdoor gear in an unobtrusive corner and taken an hour's break to thaw out, eat lunch and back up footage of the morning's work. Now Paige was redoing her makeup in front of a mirror in the corner, covering up a slight case of windburn with concealer while the crew did light tests and their waited for their guest to arrive. The studio was not very large, a living-room themed stage area big enough for perhaps four or five people maximum. It was set up with two comfortable chairs cheated towards the camera with a low table between them for coffee cups and looked very much like a thousand different news program sets. The crew already had all the cameras set up and ready to go, and the smell of coffee floated invitingly through the warm air.

It was another morning in Freedom City, and the SuperCrime! crew were back at the TV studio. Yesterday's cold, clear weather had turned into miserable, sleety drizzle today, enough that Paige had needed to change her clothes and redo her hair and makeup as soon as she arrived. Since the studio space they'd borrowed didn't include a dressing room, she wound up hiding behind the blue scrim pretending to be the set's side wall while wriggling into a dry SuperCrime jumpsuit. "Okay, I know we've got a bunch of these to run through, remind me who's up first today," she called. "First up this morning is Jill o' Cure," Fred reminded her from the other side of the curtain. "Healer type, local to Freedom City, was on the Interceptors during the infiltration." "Ah, right." Paige paused in her dressing a moment. This interview would be a little bit tricky, just by the nature of secret identities and the super community. Paige Cline knew Ellie Espadas through a score of Nicholson family nights and Saturday field trips over the years, but that was an entirely different thing from Paige Cline the television personality or Hologram knowing Jill o' Cure. That family guarded their identities well enough that Paige only knew because Richard and Will had gone to a party at Fleur de Joie's place once and met Ellie's brother Erik, who was Jack of all Blades. Secret identities could get very confusing but Paige did her best to respect them absolutely, even to the point of concealing them from her crew. Paige stepped out from behind the scrim and finished toweling her hair before going for a quick makeup retouch. "I'm going to keep this interview loose and see what she wants to say, then maybe prompt her a little," she explained to Fred. "Be ready if I call for a break, I don't know if we'll need one, but this stuff can be difficult. We all ready to go?" "Sure, just don't make us go outside again," Dave called from his camera. "We're ready to go whenever."

A few weeks after the events of Everything They're Asking For And More It had been an eventful few weeks of show prep, interrupted by chaperoning Holly's very first trip to Sanctuary with the rest of her Claremont class and Bryant waking up with one of those high fevers that goes and comes quickly in small children. But Richard and Paige had gotten a lot done despite all of that. They'd talked a little bit about their respective interviews, but they had been too busy to do their usual repeated comparing of notes. Some of what Richard had heard and seen had stuck with him, hanging like a dark cloud around his head as he sat at the dining room table, coffee in one hand and yellow legal pad with giveaway ballpoint pens in the other, writing names and question marks, a frown on his face.

Under the circumstances, it was a beautiful day. The circumstances being Freedom City in early February, that meant clear skies and biting cold air that kept the SuperCrime crew of five huddled around their portable heater whenever they could get a break from setting up the outside shoot. It definitely wasn't the weirdest or most uncomfortable circumstances they'd shot in over the past fifteen years, but they were none of them as young as they used to be, not even Paige herself. They'd set up a small working area in a quiet park, a couple of portable chairs, several cameras, and a little canopy over a knot of equipment and monitors. "All right," Paige began, checking things off on her tablet as she spoke. "This looks like a standard two-camera interview, over the shoulder and with the overhead boom plus lavs. Is that all set to go, Fred?" The second unit director nodded, barely looking up from his own tablet. "I'm going to be doubling Kelsey on sound to try and kill some of this wind noise, but we'll have to handle it in post. It's too bad there aren't fifty thousand buildings in this city we could've gone inside for this..." Paige laughed. "His first suggestion was on a rooftop of one of those buildings; this was a compromise. Speaking of which, what's the hot dog situation?" "I sent Vivi to the cart," Fred confirmed, "they'll be back any minute. We'll have to keep this tight," he reminded her, "we still have that other one this afternoon." "No problem," Paige assured him blithely. "We've done this a million times."

(Shortly after "The Old Girl is Dying on Her Feet") Later that night, with all the dinner dishes done and the guests settled and the kids long asleep, Paige settled herself at the vanity table in the master bedroom. Richard's powers may have kept them both young, but that didn't mean she could afford to skimp on the moisturizing routine. "So," she began, looking at Richard in the mirror as she began unscrewing jars, "we've reassured everybody that the world's not ending. We've told the kids and your mom that nothing's going to change, we've told the crew we're not laying anybody off. I guess it's time for us to figure out what we're actually going to do."

Freedom City April 2014 The Crime Lab (Remote Site) Richard Cline was not one for advanced planning most of the time, but then again most of the time he wasn't going back to dinosaur times. "All right, the advance team has been on the island for almost a week, and they haven't run into anything larger than a Great Dane, so I think we'll be all right." He let one of the techs pop a USB into the computer's port (something he had deliberately notmastered), playing what looked like an iMovie recording of a mostly-deserted tropical island, complete with birds in the air and animals on the beach - until the viewer saw the teeth and scales on the feathered fliers overhead, or realized that those weren't dogs fighting over the washed-up fish on the beach. The island looked to be in the center of a small bay, with low hills and a river visible on the opposite coast a few miles away. "They're almost exactly at the site of Chicxulub, good good. We're lucky that island was there, the ultralights they sent out said it's all swampy marsh on the mainland." Fred Tanzin, the second unit director for Supercrime!, focused on the special guests. "We'll do some footage of you for the promos, either here in the studio once you come back or while you're in the field. We're still on for filming all the way from the 22nd through the 25th, local time. I know you've had a chance to read our briefing packet and be introduced to the on-air talent - but do you have any questions I can answer for you about the show?"